Sunday, March 25, 2012

Critical Commentary on Indigenous Filipino Frames



The Indigenous Filipino Frames that were tackled include: Sikolohiyang Pilipino, Pilipinolohiya, and Pantayong Pananaw that are all focus on the Filipino as being the subject of the study, and not as being the other. One of the main goals of the Indigenous Filipino Frames is to regain the lost culture replaced by the western ideologies that dominates in the Filipino culture and society. Basically, it aims to develop a nation that is united through interconnecting the diversities and differences present in every part of a nation. In line with this issue, it is questionable if this kind of objective is attainable, and even possible.


Attaining a one true united nation is hard to obtain. It is unimaginable considering that the country is really divided in three parts, and that will never change. People from Luzon, Visayas, and Mindanao have their own cultural identities that are preserved since the beginning of time. And not only that, the social classes between the rich and the poor will not be easily resolved or even find a solution to it. No group of people or social class will agree to have a one common way of life. The issue of hybridity will always rise due to the dynamic interplay between the insider construct with outsider constructs.  
Another issue that may be a problem is the use of a one common language. Since, the country has a rich multi-cultural system, as well as multi-dialect, it will be hard to establish a one common language that could be use by everyone. Though Tagalog is the first language of the country, it actually does not apply to all. People from the Visayas and Mindanao are are not comfortable in speaking the Tagalog language. The Tagalog language used in the Luzon area is somehow biased or one-sided; this may have the tendency to marginalize and even oppress someone who is not used in speaking the language. Using the Indigenous Filipino Frames, one can assessed that not all Filipinos do fully understand the discussion of the Sikolohiyang Pilipino using the Tagalog language.







Thursday, March 22, 2012

Freecut

:)

Cultural Production: Babae


CONTENT:
"BABAE"

Kayo ba ang mga Maria Clara, mga Huli at mga Sisa
Na di marunong na lumaban
Kaapiha’y bakit niluluha
Mga babae kayo ba’y sadayang mahina

Kayo ba ang mga Cinderella
Na lalaki ang tanging pag-asa
Kayo nga ba ang mga ang mga Nena
na hanap buhay ay pag puputa
Mga babae, kayo ba’y sadyang pang kama

Ang ating isip ay buksan
At lipunan’y pag-aralan
Pano nahubog ating isipan
At tanggapin  tayo’y mga libanagan
Mga babae, ito nga ba’y kapalaran

Bakit ba mayroong mga Gabriela, mga Teresa, at Tandang Sora
Na hindi umaasa sa luha at awa
Sila’y nagsipag hawak ng sandata
Nakilabanan ang mithiiin ay lumaya

Bakit ba mayroong mga Lisa
mga Lilyosa at mga Lorena
Na hindi natakot makibaka
At ngayo’y marami ang kasama
Mga babae ang mithiin ay lumaya

Ang ating isip ay buksan
At lipunan’y pag-aralan
Pano nahubog ating isipan
At tanggapin  tayo’y mga libanagan
Mga babae, ito nga ba’y kapalaran






The song is made by Atsushi Kuriyama, Tony Palis, Andrei Tuason, Rica Saturay-Palis, Edgar Castro, Cecile Roque, Cheng Balquiedra, Jake de Luna under Album  Kalantog. And produced by Gabriela and ARTIST, Inc. (1993). Gabriela is a women's group movement that seeks to transform women into an organized political force. It primarily deals with problems of women as women, working to free women from all forms of economic and political oppression and discrimination, sexual violence and abuse, neglect and denial of their health and reproductive rights. It is working towards the liberation of women all over the country. 


ANALYSIS:


The song I chose greatly encapsulates the Feminist Theory, wherein women in society are empowered. The theory suggests that gender equality in order to promote women’s rights, interests, and issues. The song, Babae was created during the Martial Law era wherein people in society were oppressed, most especially the women. In a way, this song created an impact to empower women to fight for what they believe in. The song clearly depicted a resistance to male domination in the society. It implies that women must learn to stand on their own even without a man on their side. It created an imagery wherein women are not taken seriously, and just merely an object and symbolism of sex of the male species.  It is a very catchy song, yet a very liberating and powerful one. The song also mentioned known legendary Filipina icons that extremely made huge contributions for the betterment of the country.  In my point of view, the song “Babae” uplifted the souls of women who were oppressed and ostracized during the Martial Law. It served as an outlet for the women to express their views and sentiments in the midst of a patriarchal society.



Another theory that was raised in the song was Post Colonialism. It basically means gaining a perspective with regards to the future without colonial influences that almost replace the original cultures of a certain place. It is a form of resistance to the blinding effects brought by colonialism and also seeks to analyze how the colonized society will be able to move on a more civil and equal environment. Both Colonial and Post Colonial mentality were present in the song. The first was portrayed in the first few lines of the song wherein the name of women mentioned were from the Spanish-inspired influence – Noli Me Tangere. Maria Clara, Huli, and Sisa portrayed an image of marginalized oppressed and weak women in the time of Spanish Colonization. Back then, it was characterized that women always rely on men; it's as if they cannot live without men. Moreover, women were also treated in an inhumanely manner - harassed, abused and maltreated. Women worked as slaves, and they were not given the opportunity to run for any political related offices just because for the reason that they were women. JUST WOMEN. This was the notion back then. It's like as if women are fated to be inferior, and always under the men's control. In light to this, the latter was clearly manifested through the contradictory lines of the latter part of the song. Filipino women who were strong and brave enough were mentioned, as well as the will of the Filipino women to liberate them from an oppressed society. Through the end of the song, a new perspective was obtained: strong-willed women, who are ready to face the challenge that comes along her way. Without the influence and aid of others, most especially from the men, she dares to conquer everything and take-charge because she is empowered.


IMPACT IN THE SOCIETY:

Obviously, it contributes to the women empowerment movement of the country. It helps women who are marginalized and oppressed to realize their true self-worth and encourage them to fight for their own rights and privileges. It is a power-mover song that inspires women in all ages and walks of life to fully known their capabilities that are vital and essential to the development of the society, and to the country as a whole. The song is worth a thousand interpretations that are most likely depict positive notion and empowerment for women. It promotes the ideology that all people are equal, regardless of gender. Both women and men can do jobs that may be considered by the society as as more "feminine" or "masculine" profession. The realization of these facts will eventually help ullift the lost the dignity and pride of some women who suffered from a terrible discrimination from sexist people. 




Reference:
Album  Kalantog (Atsushi Kuriyama, Tony Palis, Andrei Tuason, Rica Saturay-Palis, Edgar Castro, Cecile Roque, Cheng Balquiedra, Jake de Luna) produced by Gabriela and ARTIST, Inc. (1993)

http://www.artist-inc.org/abante-babae.html


http://members.tripod.com/~gabriela_p/home.html


Saturday, March 17, 2012

Critical Commentary on Critical Western




The Indigenous Filipino Frames that were tackled include: Sikolohiyang Pilipino, Pilipinolohiya, and Pantayong Pananaw that are all focus on the Filipino as being the subject of the study, and not as being the other. One of the main goals of the Indigenous Filipino Frames is to regain the lost culture replaced by the western ideologies that dominates in the Filipino culture and society. Basically, it aims to develop a nation that is united through interconnecting the diversities and differences present in every part of a nation. In line with this issue, it is questionable if this kind of objective is attainable, and even possible.

Attaining a one true united nation is hard to obtain. It is unimaginable considering that the country is really divided in three parts, and that will never change. People from Luzon, Visayas, and Mindanao have their own cultural identities that are preserved since the beginning of time. And not only that, the social classes between the rich and the poor will not be easily resolved or even find a solution to it. No group of people or social class will agree to have a one common way of life. The issue of hybridity will always rise due to the dynamic interplay between the insider construct with outsider constructs.  
Another issue that may be a problem is the use of a one common language. Since, the country has a rich multi-cultural system, as well as multi-dialect, it will be hard to establish a one common language that could be use by everyone. Though Tagalog is the first language of the country, it actually does not apply to all. People from the Visayas and Mindanao are are not comfortable in speaking the Tagalog language. The Tagalog language used in the Luzon area is somehow biased or one-sided; this may have the tendency to marginalize and even oppress someone who is not used in speaking the language. Using the Indigenous Filipino Frames, one can assessed that not all Filipinos do fully understand the discussion of the Sikolohiyang Pilipino using the Tagalog language.

The second issue is the issue of language. Sikolohiyang Pilipino uses different terms to identify the Filipino value system, but the majority of these terms are in the language of Tagalog. By only using the language spoken in one area of the country, this can marginalize those who cannot understand Filipino, and build more disparity between the capital and the provinces. I suggest that the terms of sikolohiyang Pilipino be translated in every dialect so as to achieve total understanding.
The third issue is the issue of origin. According to Mendoza, all of frames originated from the University of the Philippines, the number one university in the Philippine. UP, being the pioneers of this study has already set the standard, such as the methods, the language, and other aspects of research. This is problematic, because other academics are required to follow to their rules. Other schools that are found with in the indigenous society are still marginalized, but now not by westerners, but by their own countrymen. Schools like University of San Carlos in Cebu or University of Mindanao should be given the chance to create their own Sikolohiyang Pilipino in honor of their own culture and language.

Critical Commentary on Critical Western Culture
There are five schools under the critical western theories: Birmingham School of Cultural Studies, Frankfurt School of Thought, Post-modernism, French Cultural Studies, and the Feminism-Queer Theory.

In postmodernism, believes that reality is not simply mirrored in human understanding of it, but rather, is constructed as the mind tries to understand its own particular and personal reality. I think postmodernism is a lot more concerned about each person's perception about things rather than what the general people perceives.
On the other hand, Birmingham’s main idea is based on everyday politics. It basically emphasizes on the reciprocity in how cultural texts, and even mass-produced products are used, inquiring the valorized division between "producers" and "consumers" that was clear in cultural theory like Adorno’s and the Frankfurt school. 

On the opposite side, the Frankfurt School offered the idea that social movements can be become a source or an outlet of people to fight for their own rights. When social movements are formed, the gap between high culture and mass culture can unite and be formed as one. In addition, I learned about the four (4) theorists of the Frankfurt School : Marx Horkheimer, Theodore Adorno, Herbert Marcuse and Jürgen Habermas.

I learned that according to Horkheimer, knowledge is consisted of propositions that are formulated to correspond to facts, and hence be regarded as true. That is very interesting and I think is very true. I sometimes question what I read in the internet and I try to filter everything.
I learned that Habermas pushed thru the theory that all people are equal and they have the right to express their feelings freely. I strongly agree with his theory. In a democratic country like ours, we are all deemed as equals and as much as I want to say that we feel this always, sometimes it is not the case. 


My favorite school of thought among the critical western theories is the Feminist-Queer Theory. Queer Theory is the approach to literary and cultural study that rejects traditional categories of gender and sexuality. Personal is Political. Nowadays, the LGBT community is being heard in the community but decades and decades before being queer was said to be a disgrace in the community. There are a lot of TV shows that now has gay men and women which only means that bit by bit, they are being accepted by this generation. The Feminist theory aims to study the nature of gender inequality and to promote women's rights, interests and issues. Just like queer men and women, straight women weren't accepted as much as they are now. Before, women were considered unequal with men. They weren't allowed to do things that men can do. Luckily women now are not being discriminated. Yes, there still are a few gender discriminations happening here and in other parts of the world but thankfully there isn't as much.

Lastly, the French Cultural Studies was rooted from Historiography and Existentialist philosophy. Similar to the Feminist-Queer Theory, the French Cultural Studies also focus on the individual. The Annales School of Historiography also known as the New History emerged before World War II. It gained momentum right after the World War. It is the opposition to the prevailing positivist orientation of French historiography. Mikhail Bakhtin is my favorite theorist from our presentation. Like others in the French tradition, he wished to preserve the uniqueness and plurality as well as the potential for novelty and innovation present in the forms of everyday social life. He focused his attention on the prosaic character of everyday life. He also said that there is no single language because people creates their own like the Jejemons and the Conyos.






Thursday, March 15, 2012

Critical Commentary on Post Colonialism



Post colonialism is the exact opposite of colonialism. It is considered as a form of resistance against from colonialism. Post colonialism is about gaining a perspective with regards to the future without colonial influences that almost replace the original cultures of a certain place. Moreover, according to the report, it is a form of resistance to the blinding effects brought by colonialism and also seeks to analyze how the colonized society will be able to move on a more civil and equal environment. It is the return or the rise of the other. According to Fanon, revolution is a form of resistance from colonialism. 

I believe that we are still under the colonization period, and still in the ongoing process of post colonization. We actually imitate the ways, trends, and ideologies of the West. Our mindsets are boxed-up to the idea that the dominating culture is still the West. The development of our own cultural production, traditions, and ideologies must be given importance for us to be united and develop as one country. We must be open-minded to new ideas that would eventually help us to strengthen, improved and expand own cultural productions for the own benefit and betterment of the Filipino society as a whole. Post colonialism had undergone a lot of changes. Today, it now includes the relationship between different forms of resistance and dominance; the establishment of a constitution within the colonies; and the relationship interdependence of both classes and races.We must therefore regain the sense of glory and pride ti our own culture in order to rebuild a true sense of identity deep within ourselves.

We must not think that the culture of the West is the best among rest; we must believe in our own worth as Filipinos.Back then, it was believed that the language, norms, traditions, and culture of the whites in general served as universal and superior over any other races. The feeling of inferiority complex tends to withdraw us to what we can possibly achieve or do.Embracing our own culture or believing in our own identity is the first major step to rise from colonization to post colonization. 


Saturday, March 10, 2012

Ang kultura sa likod ng Liliw, Luisiana, at Lucban

Kami ay nagtungo sa Liliw, Laguna upang siyasatin ang kultura sa likod ng maliit na bayang it. Bakit nga ba kilala ang lugar na ito? 


Ako'y talaga namang natuwa ng makarating kami sa bayan ng Liliw. Kitang-kita sakanilang produkto ang pinaguugatan ng kanilang sariling kultura, ana kanilang maipagmamalaki. Isang proyekto ng DTI ang OTOP: One Town, One Project. Ang produksyon ng tsinelas sa kanilang lugar ay lumilikha ng trabaho para sa mga mamamayan, at pati na rin sa turismo. Sa katunayan, ipagdiriwang nila ang 11th Tsinelas Festival ngayong darating na Mayo. Maganda ang kanilang mga produkto, halos lahat ay patok sa lasang Pilipino. Sa katunayan, nakabili ako ang 2 sapatos dahil mura lang ang mga ito at talaga namang maganda. May iba rin silang tinitindang mga imitation na bag, sapatos, at pati narin damit. Ngunit, noong kami ay pumunta doon, halos wala pang tao. Nakapag interbyu ako ng isang tindera doon, ang sabi niya ay maraming turista ang dumarayo sa kanilang lugar, lalo na pag araw ng Sabado. Ang suporta ng pamahalaan sa produkto ng Liliw ay nagbunga ng maraming kabuhayan sa kanilang lugar. Ang pagkakaisa ng kanilang komunidad sa pagtaguyod at pagtangkilik ng kanilang sariling produkto ay nagmula sa kanilang mismong kultura. Napagyaman nila ito, kaya naman lahat sila ay nakikinabang. 




Naitanong ko rin sa tindera kung ano-ano ang mga libangan nila sa kanilang lugar. Ayon sakanya, wala silang sariling mall; ang pinakamalapit na ay ang SM San Pablo na may kalayuan sa kanilang bayan. Isa lang ang bar sa Liliw ayon sa sakanya, at ito ang Lam-BAR-nog. Paminsan-minsan ay siya daw mismo ay nagtutungo roon upang makapag relax at makipag sosyalan sakanyang mga kaibigan at iba pang mga kabataan.


Ang aming sunod na destinasyon ay ang bayan ng Luisiana. Aming nakapanayam si Ms. Levita Duhaylungsod ukol sa kultura ng Luisiana. Kilala ang bayan sa Pandan Festival. Ayon sa kanya, nagkaroon ng festival sa lugar dahil ang mga karatig bayan ay mayroong sari-sariling festival; kumbaga nakisunod lang ang Luisiana sa uso at dahil na rin sa kumpetisyon ng turismo. Kung ihahambing sa Liliw, na kung saan ay maraming tindahan ng sariling produktong tsinelas, ang Luisiana ay mayroong lamang nag-iisang display showroom ng mga produktong Pandan. Ito ay dahil hindi gaanong binibigyang halaga ng lokal na pamahalaan ang kanilang sariling produkto. Ayon kay Ms. Duhaylungsod, depende kung sino ang nakaupo sa puwesto; kung susuportahan ang produskyon ng kanilang sariling kulturang pangkabuhayan. Nakakalungkot isipin na nawala na ang tunay na diwa ng Pandan Festival. Naibahagi niya sa amin na ginagamit lamang ng mga pulitiko para sakanilang sariling interes ang naturang festival. Dahil dito, nawalan na rin ng interes ang ang lokal komunidad ng Luisiana tangkilikin ang kanilang sariling produkto.

Sa Lukban naman ay mayroong Pahiyas Festival, na ang tawag noon ay San Isidro. Ayon kay Ms. Duhaylungsod, "corrupted and bastardized" na daw ang kultura ng Pahiyas.  Nawala na ang ritwal at mga relihiyosong paniniwala na nakaugat sa kultura nito. Ang mga tao ay hindi na nagkakaisa, sa halip ay nagpapaligsahan o nakikipag kumpetisyon na lamang kung sino ang may pinaka magandang atraksyon.

Hindi man namin nakita mismo ang pagdiriwang ng Pahiyas, nagkaroon naman kami ng pagkakataon na makapunta sa Lucban. Hindi man kami nakamapamasyal sa lugar, natikman naman namin ang masasarap na pagkain na tanyag na produkto sa kanilang lugar.